For all of Emory’s life she’s been told who she is. In town she’s the rich one–the great-great-granddaughter of the mill’s founder. At school she’s hot Maddie Ward’s younger sister. And at home, she’s the good one, her stoner older brother Joey’s babysitter. Everything was turned on its head, though, when she and Joey were in the car accident that killed Candy MontClaire. The car accident that revealed just how bad Joey’s drug habit was.
Four months later, Emmy’s junior year is starting, Joey is home from rehab, and the entire town of Mill Haven is still reeling from the accident. Everyone’s telling Emmy who she is, but so much has changed, how can she be the same person? Or was she ever that person at all?
Mill Haven wants everyone to live one story, but Emmy’s beginning to see that people are more than they appear. Her brother, who might not be cured, the popular guy who lives next door, and most of all, many ghostie addicts who haunt the edges of the town. People spend so much time telling her who she is–it might be time to decide for herself.
Inspired by the American classic Our Town, You’d Be Home Now is Kathleen Glasgow’s glorious modern story of a town and the secret lives people live there. And the story of a girl, figuring out life in all its pain and beauty and struggle and joy.
You’d Be Home Now is following Emory, who is in a violent car crash after leaving a party. She injures her leg, but in the car with her was her brother, who was overdosing on drugs, his best friend, and a girl that Emory was trying to help get home. After the accident, Emory’s brother, Joey, is sent to rehab, the driver is sent to a juvenile hall, and the girl died. We follow Emory as she recovers over the summer and lives in a quieter than normal house, hooking up with the boy next door in the pool house.
This is a very slow and steady story. It all takes place over the summer and the first few months of the next school year. We get to know Emory while she’s recovering over the summer and then we get to know how things are changing once the new school year starts. We’re told rather than shown these changes because we didn’t even get to see what Emory’s life was like before. But I think Glasgow did a good job of showing how all the changes feel for Emory. I liked seeing how she adapted to these changes and the things and people that encouraged Emory herself to grow and change.
Overall, this was a really tough and hard-hitting story about a girl who loves her brother so much but can do nothing for him while he struggles with addiction and recovery. I could really sympathize with what Emory was feeling but also what Joey was going through. Teenagers can be really cruel and going back to high school after everything they’ve been through would be incredibly hard, but to add trying to stay sober on top of that? No thanks. I would absolutely recommend Glasgow’s newest release for any readers that like hard-hitting contemporary books.
Keep on reading lovelies, Amanda.